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Anniversary time!
TAPKAE.com: 10 years on the interwebs!

2012 is here! It was just around the end of 2001 when the first live versions of TAPKAE.com were put up. I don't really have screenshots, but at first it was just a promo for the CD Receiving. Now instead of pitching the sale to all who enter my lair, I am able to offer the SoundCloud approach—all downloadable with liner notes and all, and the ability to comment on the audio itself. Nifty!

In the winter-spring of 2002, TAPKAE.com finally did appear in a pretty elaborate first incarnation, something that is rather embarrassing to think of now. But there you have it. Ten years of TAPKAE.com. It's moved from a pretty self indulgent promo for my recording to a pretty self indulgent record of my life and thoughts in a way I never ever anticipated. Consider it the full length version of my epitaph, suitable for those who are detail freaks.

Raison d'etre

I have found that the very feeling which has seemed to me most private, most personal, and hence most incomprehensible by others, has turned out to be an expression for which there is a resonance in many other people. It has led me to believe that what is most personal and unique in each one of us is probably the very element which would, if it were shared or expressed, speak most deeply to others.
—Carl Rogers

We may misunderstand, but we do not misexperience.
—Vine Deloria

Welcome to TAPKAE.com

"I don't see how anyone would want to read it all for fun." —Robert Fripp

Entries in todd larowe (1)

Monday
Jun242002

Music Notes

The news is good. Sort of. I can't claim the money is rolling in (it certainly aint), but it's alright here at Hog Heaven Central. I just restrung my acoustic guitar (rare enough, as I barely fancy myself a guitar player let alone one who plays acoustic, so my strings always go dead), and at this very moment, it's tuned in Robert Fripp's tuning style (C G D A E G), but actually a half step down (B F# C# G# D# F#). It's a wonderfully different tuning that I have visited upon occasionally for a few years. There is scarcely any similarity to any other guitar tuning. I get some ideas from it, though its a physically hard tuning to play in (added string tension, certain intervals are hard to reach.) I've also been dabbling in quartal harmony, which is neat stuff. One of my fave artists, Erik Satie used quartal harmony, and paved the way for a very cool 20th century musical device.

I also have this band thing I've been doing since January, with some changes to the lineup; it's been a trio mainly: Me on bass, Dom Piscopo on guitar, Whit Harrington on drums. Recently, a feller named Jeremy Robinson has been involved on guitar. He is a helluva nice dude, good player and knows his shit. Todd Larowe played with us before Jeremy did, and Todd was right for the job, but he gets wickedly busy in the summer at his Sea World job and had to bow out. Bummer. Todd, as you will see in these pages, has been very influential on my stuff and in general, and a good friend. I hope we play together again. Jeremy, oddly enough, has some of those same qualities so I'm looking forward to writing new stuff and getting the quartet playing out. We have a few tracks at present, and once I get worthwhile recordings, I'll post a few here.