Connect

Super Important

Anniversary time!
TAPKAE.com: 10 years on the interwebs!

2012 is here! It was just around the end of 2001 when the first live versions of TAPKAE.com were put up. I don't really have screenshots, but at first it was just a promo for the CD Receiving. Now instead of pitching the sale to all who enter my lair, I am able to offer the SoundCloud approach—all downloadable with liner notes and all, and the ability to comment on the audio itself. Nifty!

In the winter-spring of 2002, TAPKAE.com finally did appear in a pretty elaborate first incarnation, something that is rather embarrassing to think of now. But there you have it. Ten years of TAPKAE.com. It's moved from a pretty self indulgent promo for my recording to a pretty self indulgent record of my life and thoughts in a way I never ever anticipated. Consider it the full length version of my epitaph, suitable for those who are detail freaks.

Raison d'etre

I have found that the very feeling which has seemed to me most private, most personal, and hence most incomprehensible by others, has turned out to be an expression for which there is a resonance in many other people. It has led me to believe that what is most personal and unique in each one of us is probably the very element which would, if it were shared or expressed, speak most deeply to others.
—Carl Rogers

We may misunderstand, but we do not misexperience.
—Vine Deloria

Welcome to TAPKAE.com

"I don't see how anyone would want to read it all for fun." —Robert Fripp

Entries in studio (4)

Thursday
Dec012005

Wealth, Reconsidered

Today I woke up at 9:30. It was a rare day off from work. It was one of those days that, as a day off from work and one where I would lose a day's pay, I dread seeing on the schedule. I have more of these days to come in December since the company falls into the typical holiday slow period. I hope I don't have enough days off to cripple my income—that would be too many. But there might be a kicker of a week next week, with predicted overtime that might help bouy up the weaker time ahead by a small margin. Last night had a couple hours of OT dropped in at the last minute which made me feel a little better about today's "loss."

Almost as soon as I woke up, I got a call from Eric with whom I used to work in the sound biz. I approached him about doing a site survey at my church since there has been some interest in getting a proper PA system there. I had also booked another contractor for today but he couldn't make it. Eric told me he could meet as soon as I could. I got to the church an hour later, getting caught in some wicked traffic until I could take another route which was probably equally slow but less tedious. It used to take less than ten minutes to drive two miles. Now it takes 20 minutes to drive ten miles if everything is working my way. Today took 40 minutes. Eric and I did the site survey and were done in about 30 minutes. I didn't know Mike (the other contractor) wasn't able to make it, so I busied myself with breakfast and some reading on James Kunstler's book, The Long Emergency while I waited, supposedly until he called a while later to get directions.

Then I went to the church office at the beckoning of the secretary Beverly who was stumped about how to receive her e-mail (such people still exist, yes). So I did the usual battery of send/receive tests and concluded things were fine. What I didn't know is that somehow she didn't know about the "send and receive all" button, and was startled to learn that the inbox doesn't just magically update itself upon launch. Oh well, not everyone was born with a silicon chip in their mouth (they didn't exist when Bev was born). I hate Windows OS, being a Mac guy, but really, I learned Mac from making all sorts of mistakes, and since her email hadn't been checked since I gave her the church address a few months ago, all of a sudden there came a few dozen emails. So I showed her how it all worked, and after endearing myself to her for my troubleshooting effort, then some other "hurdles" of hers surfaced, and I helped her with those too.

Then I called to find out that Mike K. from Pro Sound would not be able to make it to the church, so it was time to get on with the next part of the day. After doing my trustee's job of being the technical go-between and getting bids for the PA system project, and offering expert advice on computers (both of which would fetch some handsome cash if I were billing), I then called Dee, the lady who writes the church Christmas play each year. Back in the day, I used to be one of the thespians. Now I provide expert audio editing and production services.

Dee needed a list of songs edited down in clever ways to enhance their play. So she came over here and spent a couple of hours as we took a variety of Christmas songs and diced them up to accomplish certain things that the script required. Some were simple fades, but some took some digital surgery. For a retired schoolteacher, digital audio editing is quite a new thing. For me, it's standard fare. She never realized how deep I was into all this. And today, I didn't even have the luxury of using ProTools. Nonetheless, Peak is capable if the imagination exists to use it that way. So I wrangled samples of Bing Crosby and the Chipmunks into form and she left. I spent another hour tidying it all up and cutting the CD.

Then it was time to clean up after my hard day at work. I had my solo counseling appointment at 7 pm. Today, it was said that I seemed in a far better mood than before, despite the range of thorny and complex things I often report on, and still reported on tonight, but with some levity. I left there feeling better that maybe things are better and that I can deal better with things. I've been going continuously for over two years since I was in the throes of clinical depression in summer of 2003. I am thinking of discontinuing for reasons that are primarily financial, but also it seems that it's time to take the training wheels off and see how things go when I soar without a net.

I left there and took Dee her CD. She was delighted. It led to a conversation that took the next hour and a half or so. I've known Dee for years and years, but this was a totally unique conversation. It was real validating. There was a lot of peak oil talk because it's impossible to have anyone understand what makes me tick without encountering that topic. But it carried us through talk about music, my old recordings, and the one that Kelli and me did some years ago, and through literature and politics. It was great. It was, as Martin Buber would say, meeting. And, actually the Buberian reference is appropos to this talk with Dee at her house. It was in 1989, and again this summer when a small group of church folks did a detailed study of Buber's I and Thou, in which a central tenet of the book is that all real living is meeting.

Then I left and chased all over North Park for a grocery store that was open after 11. I got some stuff and ate a tasty salad and reflected on my day.

I didn't earn a damn cent today. In the morning, when I got the phone for Eric's call, I noticed that there was a call from work asking if I'd come in for three hours. I didn't reply. Nor did I reply to the call three hours later. I'm not boasting; I just decided my day was valuable to me in its own right, using the skills or talents I have to make myself useful to individuals and to my church community as a whole. On a day like today, I didn't complain for getting gypped of hours or pay. I didn't complain for what I didn't have. I only enjoyed what I did have, and shared it freely. I had a whole different experience even within that aspect of things—I've done lots of "free" work for people before, and some of that is what drove me to depression. I've done a lot of audio work and recording work for too little. Either it was on spec or an outright lie that I would be paid but wasn't. I've done years and years of work for peanuts. I often still feel that I have never really gotten my fair share in some deals. But today, I did a lot of things that if I billed as a professional, I could do pretty well. I used to pay out of my own pocket the cost of studio time to accomplish what I did for Dee today: I paid $200 for this same type of work back in 1994-1998! Who knows how much Bev would be in for if she really called a tech to fix her little email issue, but let's say that its at least $30 an hour. I'm already anticipating doing the church PA installation myself, probably as assistant to whoever we hire.

A day like today reminds me that money is not everything. In some ways, I wish I had gone to work, but really I wish that only because my wage would be handy when it comes time for bills this month. I have enough to get by, but I worry about it a lot because Kelli can't work, and any money she has to offer now is from financial aid loans. But today was so rich for me. So validating. I often feel that my contribution at work is so little valued, even at the wage I get. I feel often that I am very replaceable. But at my church, and with folks who stem from that central relationship, I am someone. Someone who can do something unique, or someone who sees the world in a different way that challenges them. Some days I use my computer chops, or today my musical ear and ability to edit like a composer. Two weeks ago it was my ox-like ability to move staggeringly heavy furniture on my own before anyone arrived to the work party. It's weird. I get paid to do that sort of thing but feel devalued. But if I do it for free without being asked, I feel like someone special.

If I had other ways of coping within the economic system of the present, I would just quit my job altogether. For now, it's time for bed. I get up at 6:45. It's 12:30 am.

Monday
Jan262004

Addictive.com

(...With a tip of the hat to Michael K. who actually admitted to reading this journal.)

I don't really know what I am about to tell you, but the aforementioned MK (not Keneally) was just begging to have something new to read. Whatever. Some people! :^) So here I am. And there you are. Well, I assume you are. If not, who am I talking to? (Actually, WRITING to.) I am not really talking to any of you. But you get my drift. Actually I don't have a drift, and never had. But if I did, it would be teal and would operate on Mac OS 9 where I still operate. Actually, I am not licensed as a doctor, so I am therefore not allowed to operate. But I am aloud when I play drums. I play fairly loud. Some people wish that wasn't aloud, you know? You probably don't actually know, so you will have to take my word for it. But I hope you won't take it far. I need some of them. Without them, I would be speechless. Some people wish I was speechless. But I did well in speech class so they can shove it up their class. (I really did do exceedingly well in speech class last semester— #3 of 102 total students in my instructor's classes. Made me proud.)

Okay, so I'm stalling for time. I've been discovered. You want fries with that?

Well, among the couple of newsworthy things to take place since the last entry at the end of the year, I have to report that I have cracked the whip on myself (not literally, I don't play that rough) and made myself shut off the damned internet and stop screwing off at my computer needlessly like I did for the first two years I had it. Well, that has freed up a good deal of time to get back into the studio where I really belong. I can't believe how many hours I needlessly sacrificed to be on the net when I could have been recording or whatever. Well, I guess things happen for some reason. The net was a fascinating place for the time I was rabidly into it. But now I know what to expect in the certain corners of it that I frequent.

For one, repetition, repetition, repitition. In hanging out on a number of music and recording related boards and groups, certain topics are bandied about so freaking often its sick. I mean, how many times can people talk about preamps and compressors and the world's most underrated guitarists in one day? A month? A year? I don't really know. But finally I decided I'd been around that block too many times and had to get back to work, because my time has been more measured in the recent few months, and frankly, I worsened my depression by hanging out on the net as a substitute for other things. It surely cost me a lot of studio time, caused some relationship snags, and in some groups made me unpopular when I would sort of troll just to keep things interesting. The time on the net came at a turning point for me anyway, and I was really ready for something new, and well, I just got addicted. I mean, addicted. You know, like, it tells ME how life will be. You know how people smoke cigarettes when they wake up, then at meal times and after sex and all? I swear, that was me, but I was a net addict. In my most indulgent days, oh, maybe in early 2002, I was on the computer doing one thing or another for most of the 18 hours I was up. I suppose maybe it was 12 or more of those hours. I don't even know how, but I wasn't working and I sort of inched myself out of a social life. I also did my graphics related stuff (not even music then—I didn't have Pro Tools then, nor anything else). It was just prowling the same 5-10 groups over and over all day long. I later took to messaging with Doug in Texas, sometimes going at it for hours and hours. Doug is one of the few success stories I have to claim. Once we transcended the topics of preamps and what recorder sucks less or more, we got on with some good chat about a huge range of things.

There are people in some of those groups that write so many entries it is a wonder they have time to do anything else. I swear, I see some dudes on multiple groups, and it seems that nearly around the clock they have something to say on the same five topics, day in and day out. I can't for the life of me figure how in the world they have a chance to play or hold a day job. It baffles even me, who did clock some good time doing the same thing, often sans job or social life, or music. It just boggles my mind. When I got into the net, I was finishing my CD and was all excited about having the computer to do a little bit of everything—social life, art, some music (at least for listening), studying, promoting my CD, making web sites, etc. So I completely threw myself in head first. I would find any excuse to do something on the computer. The only thing I really didn't do was play games and buy porn (no, really!). Any excuse was good enough. It really was an addiction. If nothing else, it got me a little fatter and sedentary, and sort of kept me from having some other more varied and maybe even more real encounters with the world, even as it opened up a whole other world of its own. I would wake up and switch the computer on and spend an hour before work if I had any at all, and I would kiss it good night as late as I could, about 18 hours later. In between, I just couldn't peel myself away.

I guess there are worse things to be addicted to. Some can actually do real damage. But addiction is a pattern of behavior, and is basically the same rules apply to whatever the variable is. I guess I must have had some addiction before the computer, and it just transferred. I used to be addicted to cross referencing my life, and doing all sorts of introspective and sometimes destructive stuff by keeping myself acquainted with old events and experiences and people who maybe I should have let go of. Really, it tied up a lot of time. I didn't sit in one place, but it DID act in the same way as the computer later did. It consumed my energy and told ME how it was going to be. I think that the difference might be that some addictions only TAKE, and I do have to say that my time on the computer and the net is not all a waste. Certainly not. It did give, and it continues to give. But living out of balance certainly is a problem. I think moderation is called for. Just about anything is good in moderation. I guess I can aspire to that.

Oh yeah, I was going to talk about my studio time lately. I came up with a great hybrid system last week. Since all the gear is in the little room now, I feel a lot more like experimenting and at least getting ideas out and captured. But now I have made it so I can run Pro Tools from the little room while the full computer system is undisturbed in the other bigger room, complete with scanner/printer and all the other stuff. What I did was get a second mouse, keyboard and VGA monitor in the small room, and passed relevant audio cables from the PT system into the computer with the help of the little mouse hole between rooms. Now I am jazzed. I like all the flexibility of PT, and having all my instruments right near me. Now I got the best of both worlds. So far it is working for me. But I think I just got so damned frustrated at things that I just HAD to find something that would work. So now I am just committing myself to getting in there and getting something, anything out of myself.

Sunday
Jun082003

The Muse

It's been a few years since the muse and I had a thing goin'. That's not to say nothing has been done. It's just not happening all the time like it did for a few years when I had the time to record and dabble for hours on end, day after day.

A few things contributed to a decline in conjugal visits with the muse: getting wound up in school and some career shifts (such as my career ever was), a mess of family dynamics to sift through, some pieces of gear that disappointed, women, and post 9/11 awareness. There must be other things, but that is among the leading causes. I also stopped journalling after ten years of semiregular notes on things great and small (those ten years corresponded to the first ten out of high school). I don't know how much effect that has had on writing. I do suspect that journalling opens up a path for understanding certain things, and that can make song writing a little more fluid. The thing is, I am not a "song" writer. I do write some lyrics, and on my CD there is perfectly representative material in lyric form, but it's not really how I start tunes.

I used to seek the help of technology to write music. Now I am free of synthesizers, over gimmicky use of FX and other things that "help" a solo recording "artist." It's me and a guitar or bass mostly. The muse is most likely to visit when I am playing with others. All last year was the year of the loose trio jam, and this year I am trying to be more structured. I am in mk IV of my "band" and I am playing guitar—a whole other challenge after playing bass for about three years in the bands I was in, but I still love bass and on a good day, I channel my fave players of that instrument. One thing is for sure: whatever worked a few years ago aint working now, and it's taken some time to find a new model. It seems that me and the recorder isn't as good a combo as I thought, at least for jumpstarting an idea.

I have taken to doing some web and photgraphic work as a diversion, listen to all sorts of music and have done more reading lately. I'm not sure if it will make the muse come back, but sometimes you have to let that go and trust that it will. I have never been one to simply practice an instrument—that could take some time out of my day, even with 45 minutes given to the drums, bass, guitars, and keys! I know some people happen across great ideas while playing scales or other exercises. I might, but never do. I find my best playing comes when I am not even trying. If I recorded what happens on bass or guitar when I am watching TV or waiting for my hard drive to defrag, or other mindless day filler to resolve, I might have a few clever albums done by now. But alas, that usually isn't the case.

Friday
Jun072002

Welcome to TAPKAE.com

I was thinking about telling you about the fact that I just graduated from The Art Institute of California a few weeks ago, or that I am doing a lot of housework and remodeling, or that I have a new bass, or that I just scored a new website to build, or any number of things.

But I won't. What happens to have me excited at this very moment is the recordings I made of my friends in Loaf the other night. They came in, 5 piece and a vocalist strong, and laid down a couple of tracks, live, in one shot. I caught it all on the VS 2480—which is just starting to make sense to me now! I'm digging the mixes, despite the very rushed nature of the session being heaped on me with little warning. Rebecca Vaughan is a great singer and I love to have her sing here, because she can come up with the goods! Go to the random tunes page and hear some Loaf with Rebecca singing.

I've been in the studio more lately, trying to get into relearning my way around it lately. I've been on a path toward simpler engineering, but at the same time, I built myself into a 24 track system! Instead of doing the usual track-by-track recording I have done for years, I've been trying to play with various combos (mostly on bass) and record all that to multitrack. It's made me think faster. I look forward to putting up some mp3s of some of these projects. Stay tuned for more details...