This is a presentation several years in the making even though it came together last night. The first four pictures are original shots of my niece Kaitlin, taken in 2000. I had met her just weeks before, only in the week of Thanksgiving. I was 27 and on the verge of wanting to grow up after years of hurt and alienation from many, including my mom's whole side of my family. That gap was bridged in time for the holidays that year. Kaitlin was not quite four years old then. By my readiness and her very presence, she stole my heart in the sort of I-Thou exchange that Martin Buber wrote about. She reached into me in an amazing way and inspired me to first make a 15 minute bit of music (Hog Heaven Holiday Theme Music) just in time for Christmas that year, and to give it to her and other folks as my present for the year—one I might add that could NOT be bought. Bitter and senseless family politics has kept us apart for all the time since just after that Christmas, though I saw her a few weeks ago (almost exactly 12 years from when we first met) and had a crashing feeling that the situation of estrangement would never change. It broke my heart. Her mom unleashed vitriolic words upon me after staying perfectly quiet for almost exactly those same 12 years. The only exception has been a few email and MySpace flame wars. Any hopes I might have had to be Katie's uncle are probably for naught. One can only imagine what Kaitlin has heard about me, all without knowing me but for those few weeks, lost to the mists of her young mind.
To be honest, I've been quite depressed in recent weeks, in part because of that, but in no small measure because of it either. This kind of thing is a dull ache most of the time and sometimes gets outsized and more painful than maybe I should let it. I've tried engagement and disengagement in order to cope. Neither particularly suits me. I just hurt.
The remaining photos in the slideshow are ones I've been able to collect from my sister's social media pages. I am pretty certain they are not used by permission. My tragic point, exactly. But while my sister has her fanciful notions of protecting her daughter from the Savage Sociopath from San Diego, she's using the same twisted logic that my old man used to keep me from my mom. Funny that she doesn't see it that way. Anyhow, these are pictures of my niece as much as they are pictures of her daughter. To date, even though the fiery words have flown and the icy wastelands have grown between us, there is really no substance to her decision to keep Katie from me. I mean, I'm not a pedophile. Not a rapist. Not a murderer. I haven't stolen anything. I haven't really held any financial power over anyone, despite some monetary issues that I've since learned were my mom's very style. There really isn't much to hate me for, though their typical approach to keeping a distance has done plenty to stall any chance of development and certainly any hope of healing. It's just that they don't care.
This little show is my act of defiance, just something to help keep a light of hope alive for me. None of what has happened since can take away that flicker of hope that came when I played with Katie for a few occasions that holiday season of 2000. I might say that in keeping with the theme of the reading in the video, Katie might just as well be said to be my first real Christmas gift as an adult. One I didn't even know I needed. That holiday was quite enjoyable, and since, while no other Christmas since has been spent with that family unit, Christmas has had its component of wonder and hope returned to me.
This music is just a short segment from the longer, freewheeling musical romp that perhaps was my nod to Mike Oldfield, Todd Rundgren, Mike Keneally, and maybe other solo artists who just love to get into the studio and make any music that comes to them. With one exception (a totally random instance of Kelli appearing at my place with a friend packing a Maltese bagpipe), every part of the recording was done on my own. For lack of a better title, and for the fact it's not strictly a bunch of Christmas tunes but rather is more a sonic tour through impressions of the season. This year I have returned to the source recording of the original project and brought it into my main recording program, Logic, a far more robust place to mix the recording that never got the mix it deserved in 2000 when it was rushed out the door in time for the holiday. So that will appear too, sounding better than ever, first a gift to family that didn't really care, and now to the world, and I bet it will unfold in ways I could never imagine. I'll probably post it next week, 12 years from its first release.
On another track of life, a few years later in 2004, I got Michael Judge's book, The Dance of Time, a sweet little thing to feed a hunger for knowing what the world was like before our particular kind of timekeeping evolved. To read it, one must suspend the cold rational mind known for its "stinking thinking" and just fall into the premodern mind where time is measured according to the universe and the play of celestial bodies upon the Earth. It's prose that reads poetically and a few times a year (but especially in the colder months) I am likely to pull it out and read it aloud to Kelli. In 2010 I found a page that I liked and paired it with the Holiday Theme Music. (The crazy thing is, I think I actually got the wrong segment of music!) I gave it a few reads and tried not to choke too much but you can hear the end did get a little hard to read. As it should.
Meeting my niece when I was 27 was the beginning of a thawing of my heart from the cold and broken thing it had become over those years of creeping skepticism and doubt about goodness and frankly, mystery. In so much mythology, the troubled male soul is mended by some kind of feminine presence. So it was for me. This humble little reading is just a thing to remind me of the good stuff, to not get jaded and cynical; to not be barricaded behind all the hurt and pain that accumulates too easily. The pictures I took of Kaitlin that first holiday season are significant of those first glimmers of light in the darkness for me.