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"I don't see how anyone would want to read it all for fun." —Robert Fripp

Entries in loaf (3)


Proto-Blogging at TAPKAE.com +10

While my monthly archive might reflect a longer history than what I am about to write about here, the real beginning of this blog was on June 7th, 2002—still in the days before the actual blog technology existed (for me anyway). A small few entries have been added into the chronology to tell a story. Since I am just telling my own story anyway, they serve to fill in the historical record and it doesn't really matter if I play fast and loose with the entry dates, posting things into their proper place after the fact.

In the days before I discovered B2 blogger and later on, Wordpress, or still later on, Squarespace (which I now use as of 2011), there was no word "blogging." I just made a new HTML entry on the index page, and when it came time for a new one, I copied that entry over to the "archive" page and entered another on the index page. It was a bit lame but without a dynamic, PHP/database-driven site it was all I had. I didn't do it long enough to really get ridiculous. I've seen some sites that kept on that way and had to create archive pages that each carried oh, several months or a year's worth of entries, and then on to a new archive page. Only about two years of monthly posts accumulated that way and it wasn't too hard to manage the entries prior to discovering "real" blogging. I then started bringing stuff into the new formats in 2004 when my new hosting plan at Startlogic included something called B2 Blogger as part of the package. If I recall right, Startlogic offered a whopping 1 GB of space which dwarfed the 100 mb that my prior host Mavweb offered. I suppose Mavweb was state of the art a few years before when Mike Thaxton selected it and got me started in 2001.

But aside from all that, this blog got fired up in earnest on this day ten years ago. In many ways it was a simpler time and I didn't have all that much on my mind. Only a couple months before I had finished my year of school at Art Institute of California, so I was anticipating becoming a brilliant and high paid web designer (ahem!). Strike that. I was trying to get a couple crappy web design gigs with friends or friends of friends, and hoping my still-novice skills were up to the task if anything but pretty basic Dreamweaver-assisted HTML sites were needed. (Rockola's Mark Decerbo was one of the first to ever take me up on my work. Surprisingly, his site is still up, though a bit outdated as of 2007.) AIC turned out to be a rather disappointing place with regard to the proportioning of the subjects relative to the goal of a web design certificate program. The entirety of the web design courses included summaries of the Macromedia suite within 12 weeks. The other 36 weeks were broken into three 12 week blocks of Photoshop, Illustrator, and a CD-ROM production that included Macromedia Director and Adobe Premier primarily. But the web stuff was but one quarter of it all, and seemingly an afterthought. And above all, it was just a "design" emphasis. Never really learned coding there, and never anything with any real functionality. I recall being a bit miffed that I never was really showed stuff like Javascript or how to build CGI email forms and other stuff that really was, well... useful.

Getting out of school put me back into an unstructured world after a year. It had been a year of change, and not just because of schooling. In that one year from the start of April 2001 to that time a year later, my grandmother had died; I was in solo therapy for several months into the fall of 2001 in response to the family crisis around my older sister's big revelations earlier in 2001; I had entered kicking and screaming into the new age following my grandmother's death because my old man took over the house I lived in already for three years and ordered that I get two roommates; I got my first computer as just one way of blowing the inheritance I got (the rest was blown with an even larger display of gear acquisition for the studio); the notorious terrorist attacks of 9/11 happened and changed the work prospects for my industry of event audio; I finally finished Receiving; Kelli and I had gotten together during the winter and she had her car accident not long later; I was playing bass for a few months in an exciting trio with Dom Piscopo and Whit Harrington, and sometimes with the mighty Todd Larowe (listen: All Things Frippy and Return to Zero). Oh, those are the high points. Or low points. But in the midst of all that, I got the first drafts of TAPKAE.com done and then finally cut the first settled version loose on the world in May or June, and the first "blog" was posted. It is relatively brief because I had not yet embraced the long, detailed, and boring voice I have since attained here!

Rebecca Vaughan of Loaf, with Matt Zuniga's handiwork in the backgroundIt was around that time when I found that Hog Heaven Studio was bursting at the seams. The crazy influx of new gear during the summer before saw to that. With my grandmother gone, I took over the two rooms she called her own, clearing them out and painting them for the first time in perhaps all the years she and my grandfather had been there. One room was a bedroom with a bathroom attached, and the remodeling of that was one of the projects that was alluded to in the first blog. The other room, a rather generous 15'x17' space, was the room immediately adjacent Hog Heaven Studio. Together, they were two spaces carved from what was once a garage. Hog Heaven extended the garage street side wall some 6' more and so was split down the middle by a space that was on the flat part of the garage, and also on the sloped part of the driveway. Inside, I had leveled the floor but the beam through the middle indicated the old garage face. In the great room, I set up my living quarters in 2001 after the new rental arrangement was established. I got the entire wing of the house to do as I wanted, so I cut a mouse hole from Hog Heaven into the great room and went about using the band Loaf as my guinea pigs to try out the studio options that would result. I did two sessions spaced out by a year or so, but that first session with the whole band, I had the bass and drums in the studio with me (an odd thing that later was resolved with moving the control room into the great room later in the year), and then I used the great room for the guitars, keys, and Rebecca's lead vocal and percussion. I used upturned love seats and mattresses to provide guitar amp baffles. The Roland VS-2480, my then-new recorder, able to capture 16 inputs at once with no compromise, was relatively mind blowing after years of using the VS-880 and the four inputs it provided. At any rate, the new opportunities for using up to three rooms to record in was exciting. It was a whole new age for Hog Heaven Studio.

Kelli, later on in 2002One thing that is conspicuously absent from the site for some time (even into 2003) is any mention of Kelli and the fact we'd entered into a new relationship at the start of 2002. By the time we did that, we'd known each other for over 11 years anyway. I recall much of 2002 was a time when it felt like I was floating, particularly in that new relationship. However, it wasn't a feeling of being totally lovestruck. It's hard to say what it was, but perhaps because Kelli's presence put to an end the five year dry spell that preceded this new era, or perhaps that Kelli and I were old friends in a new role that seemed too good to be true and could have dissolved, or perhaps that her presence also brought with it a new feeling that I should get to church and start the process of grounding myself in something different than the years before. Hard to say. I didn't want to try to capture lightning in a bottle by writing about it. Kelli was talked around on the blog, usually mentioning "my girlfriend" during 2002-2003. If her name is in the entries from that period, it's because I redacted those entries to right that wrong in 2011.

I'm glad I have these few entries from 2002 because there is precious little digital evidence of my life from that first year or so of computer ownership. I had some problems with my data going off to digital heaven, particularly so with the folder that contained my Microsoft Entourage data. In one shot in the late summer of 2002, I erased about a year of my life's notes, calendar dates, emails. Bad move. Worse yet, I had not kept a parallel record in a paper calendar like I had for all years prior. So there's a big blackout during that period. And maybe things are as they are supposed to be, even with that giant flub. The period was one of transition at a deep level. Losing data was perhaps part of the exercise of getting lost in more ways than one, this time a way of losing control over things. And, since I have tended to be a keen historian and curator of my own life, a lesson might be gleaned that to overmanage things is of no use.



New Songs

Hi again, and welcome to the show. Recent developments include finishing two tracks that my friends in Loaf recorded at Hog Heaven. I played some guitar, tambourine and sandpaper on one track.

I love working with Rebecca and Dawne—they are such good singers. But remember that this track isn't necessarily super Hi Production. The new Loaf songs are actually the first couple of tracks that my new and improved studio has done. (I've certainly used the place, but haven't really had stuff get done and ready for listening.)

A couple of tracks from my little trio (me on bass, Whit Harrington on drums, Dom Piscopo on guitar) exist, and I decided to put them up, with the proviso that you remember they are just live rehearsal recordings. They both RAWK though.


Welcome to TAPKAE.com

I was thinking about telling you about the fact that I just graduated from The Art Institute of California a few weeks ago, or that I am doing a lot of housework and remodeling, or that I have a new bass, or that I just scored a new website to build, or any number of things.

But I won't. What happens to have me excited at this very moment is the recordings I made of my friends in Loaf the other night. They came in, 5 piece and a vocalist strong, and laid down a couple of tracks, live, in one shot. I caught it all on the VS 2480—which is just starting to make sense to me now! I'm digging the mixes, despite the very rushed nature of the session being heaped on me with little warning. Rebecca Vaughan is a great singer and I love to have her sing here, because she can come up with the goods! Go to the random tunes page and hear some Loaf with Rebecca singing.

I've been in the studio more lately, trying to get into relearning my way around it lately. I've been on a path toward simpler engineering, but at the same time, I built myself into a 24 track system! Instead of doing the usual track-by-track recording I have done for years, I've been trying to play with various combos (mostly on bass) and record all that to multitrack. It's made me think faster. I look forward to putting up some mp3s of some of these projects. Stay tuned for more details...